MASK Drama Victoria journal
Have you ever thought you had the best resource and wanted to share it with other drama educators? MASK is the Drama Victoria journal and is published each semester. It informs Drama Victoria members on a number of valuable areas of drama education.
SEDA- Arts Develpment Program
SEDA is proud to partner with Arena Theatre Company to launch the SEDA Arts Development Program
Unit 4 VCE Solo and Monologue Performance Examination CD
Following on from 2011, Drama Victoria is creating a resource kit to support teachers and students of VCE drama and VCE theatre studies. The resource kit will again be published as a CD to make it easier for drama teachers to find and store resources.
Shows For Schools
“Drama and theatre teachers should be very excited about this wonderful online resource”
Find the right show for your students and book it on line! The newly developed Shows for Schools searchable data base is a welcome initiative, saving teachers’ time - no more wading through masses of flyers and websites!
Unit 4 VCE Solo and Monologue Performance Examination CD
Following on from 2011, Drama Victoria is creating a resource kit to support teachers and students of VCE drama and VCE theatre studies. The resource kit will again be published as a CD to make it easier for drama teachers to find and store resources.
Following on from 2011, Drama Victoria is creating a resource kit to support teachers and students of VCE drama and VCE theatre studies. The resource kit will again be published as a CD to make it easier for drama teachers to find and store resources.
This year we aim to offer:
- A range of stimuli. Where possible, this will include print, images, links to video and film, online resources
- Aspects or an aspect of each dot point (in the solo structure) and some of the more tangential or imaginative potential of the task
- Resources that stimulate different ways of conceptualising that students (and perhaps new teachers) may not have considered but which could lead to highly theatrical choices
- Research that leads to ‘theatre-making’ and what will happen ‘on the floor’.
Where possible, we will aim to provide resources exploring
|
theatre studies |
drama |
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The playwright looking at aspcts of biography, major works, influences, eg. Jean Anouilh, Timberlake Wertenbaker |
The main character to be played e.g. The Sheriff of Notingham |
| Social and historical context in which play was written, e.g. Anouilh’s Paris in 1944 during German occupation |
The main resource the structure is drawn from, i.e. novel, painting, historical event, e.g. Graphic Novel Outlaw: The Legend of Robin Hood |
|
Synopsis of the plot of the play |
Audience e.g. PR manager – ways of representing |
|
Theatrical style or styles of that time and their conventions |
Era or time frame references – the world of the character; imaginative/real |
| Previous productions and interpretations – providing some info about ways of interpreting |
A reference to an aspect of each dot point, e.g. the misinterpretation of instructions, the Sherriff of Nottingham being a popular good guy |
|
Stagecraft – images of possible costume, set items and make-up choices |
Tangential references and possibilities for imaginative leaps |
|
Iconic interpretations of the character |





